The film tells the story from three perspectives: that of Jean de Carrouges (Matt Damon), a valiant knight known for his bravery in battle; Jacques Le Gris (Adam Driver), his former friend and a squire with a rising political influence; and Marguerite de Carrouges (Jodie Comer), Jean’s wife, who accuses Jacques of a heinous crime—raping her while Jean was away at war. This accusation sets the stage for a fierce battle for truth and justice.

What sets “The Last Duel” apart is its Rashomon-like structure, where the narrative unfolds through the lens of each main character, offering different versions of the truth. Jean’s perspective portrays him as an honorable man, Jacques sees himself as a victim of false accusations, and Marguerite’s point of view reveals the anguish of a woman seeking justice in a patriarchal society that often disregards women’s voices.

The film’s tension builds toward the climactic duel—a visceral, harrowing battle of life and death fought in front of the King and court. Ridley Scott masterfully directs the action, blending brutal realism with sweeping medieval imagery. The battle is not just a physical one but a fight for honor, truth, and the survival of Marguerite’s reputation and safety.

Jodie Comer delivers a standout performance as Marguerite, imbuing her character with both vulnerability and strength. She commands the screen as a woman courageously fighting against a society that would prefer to silence her. Matt Damon and Adam Driver also give nuanced performances, portraying men bound by pride, power, and conflicting views of justice.

Visually, the film is stunning, with grand, atmospheric cinematography that captures the harsh beauty of medieval France. The gritty, immersive set design and costumes further draw viewers into the world of knights, castles, and courtly intrigue. The film’s score, composed by Harry Gregson-Williams, heightens the emotional stakes and enhances the dramatic atmosphere.